Pupkin: I'm grateful for this chance to talk to you ... I hope I'm not boring you.
Langford: I'll let you know.
Pupkin: Really? Fine. I'm Rupert Pupkin, Jerry. I know that the name itself doesn't mean very much to you but it means an awful lot to me, believe me. Maybe you've seen outside your show and wondered who I am. Well, right now, I'm in communications but, by nature, I'm a stand-up comedian. I know what you're thinking -- 'Oh no. Not another one.' And I wouldn't take up even one minute of your time if I wasn't absolutely convinced of my talent. I'm really good, Jerry, believe me, I'm dynamite. Now you're probably wondering if I'm so good why haven't you caught my act somewhere, right?
Langford: Well ...
Pupkin: Well, up to now, I've been biding my time developing my act slowly and carefully so that when my big break finally comes, I'm ready -- like you were that night Paar got sick and you sat in for him. I was there that night, in the theater. That was the most important night of my life, until tonight, of course.
...
Pupkin: Well, that night you did Paar, I walked out of the theater like I was in a dream. All of a sudden, I knew what I wanted. I started catching your guest appearances on Sullivan and taping them and, when you got your own show, it got to be a kind of regular thing. I studied how you built to your one-liners, nice and relaxed like you were chatting, and how you delivered the jokes without leaning too much on them, without saying "here's the punchline, folks." And I watched the way you played off dead audiences, how you let those long silences build until people couldn't stand it and then the way you got them off the hook with that slow smile. You were my college of comedy, Jerry, like a kind of teacher, a friend. I know it sounds crazy, but when you watch someone every night ... But that's all in the past. What I'm trying to say is this. I'm ready now. I've finished the course. And I'm thinking as we sit here talking "Is this it? Is this that one big break?" Is it, Jerry?
...
Langford: Look, why don't you call my office.
Pupkin: Could I?! Oh, I knew you'd say that, Jerry. You don't know how many times I've had this conversation in my head. And this is the way it always turns out. That's why I had to sort of invite myself into the car tonight. I know it's kind of presumptuous and I really appreciate the time you've given me. But breaks like this don't just happen. You have to make your own breaks.
Langford: I'll let you know.
Pupkin: Really? Fine. I'm Rupert Pupkin, Jerry. I know that the name itself doesn't mean very much to you but it means an awful lot to me, believe me. Maybe you've seen outside your show and wondered who I am. Well, right now, I'm in communications but, by nature, I'm a stand-up comedian. I know what you're thinking -- 'Oh no. Not another one.' And I wouldn't take up even one minute of your time if I wasn't absolutely convinced of my talent. I'm really good, Jerry, believe me, I'm dynamite. Now you're probably wondering if I'm so good why haven't you caught my act somewhere, right?
Langford: Well ...
Pupkin: Well, up to now, I've been biding my time developing my act slowly and carefully so that when my big break finally comes, I'm ready -- like you were that night Paar got sick and you sat in for him. I was there that night, in the theater. That was the most important night of my life, until tonight, of course.
...
Pupkin: Well, that night you did Paar, I walked out of the theater like I was in a dream. All of a sudden, I knew what I wanted. I started catching your guest appearances on Sullivan and taping them and, when you got your own show, it got to be a kind of regular thing. I studied how you built to your one-liners, nice and relaxed like you were chatting, and how you delivered the jokes without leaning too much on them, without saying "here's the punchline, folks." And I watched the way you played off dead audiences, how you let those long silences build until people couldn't stand it and then the way you got them off the hook with that slow smile. You were my college of comedy, Jerry, like a kind of teacher, a friend. I know it sounds crazy, but when you watch someone every night ... But that's all in the past. What I'm trying to say is this. I'm ready now. I've finished the course. And I'm thinking as we sit here talking "Is this it? Is this that one big break?" Is it, Jerry?
...
Langford: Look, why don't you call my office.
Pupkin: Could I?! Oh, I knew you'd say that, Jerry. You don't know how many times I've had this conversation in my head. And this is the way it always turns out. That's why I had to sort of invite myself into the car tonight. I know it's kind of presumptuous and I really appreciate the time you've given me. But breaks like this don't just happen. You have to make your own breaks.
Pupkin : I'm grateful for this chance to talk to you ... I hope I'm not boring you.
Langford : I'll let you know.
Pupkin : Really? Fine. I'm Rupert Pupkin, Jerry. I know that the name itself doesn't mean very much to you but it means an awful lot to me, believe me. Maybe you've seen outside your show and wondered who I am. Well, right now, I'm in communications but, by nature, I'm a stand-up comedian. I know what you're thinking -- 'Oh no. Not another one.' And I wouldn't take up even one minute of your time if I wasn't absolutely convinced of my talent. I'm really good, Jerry, believe me, I'm dynamite. Now you're probably wondering if I'm so good why haven't you caught my act somewhere, right?
Langford : Well ...
Pupkin : Well, up to now, I've been biding my time developing my act slowly and carefully so that when my big break finally comes, I'm ready -- like you were that night Paar got sick and you sat in for him. I was there that night, in the theater. That was the most important night of my life, until tonight, of course.
...
Pupkin : Well, that night you did Paar, I walked out of the theater like I was in a dream. All of a sudden, I knew what I wanted. I started catching your guest appearances on Sullivan and taping them and, when you got your own show, it got to be a kind of regular thing. I studied how you built to your one-liners, nice and relaxed like you were chatting, and how you delivered the jokes without leaning too much on them, without saying "here's the punchline, folks." And I watched the way you played off dead audiences, how you let those long silences build until people couldn't stand it and then the way you got them off the hook with that slow smile. You were my college of comedy, Jerry, like a kind of teacher, a friend. I know it sounds crazy, but when you watch someone every night ... But that's all in the past. What I'm trying to say is this. I'm ready now. I've finished the course. And I'm thinking as we sit here talking "Is this it? Is this that one big break?" Is it, Jerry?
...
Langford : Look, why don't you call my office.
Pupkin : Could I?! Oh, I knew you'd say that, Jerry. You don't know how many times I've had this conversation in my head. And this is the way it always turns out. That's why I had to sort of invite myself into the car tonight. I know it's kind of presumptuous and I really appreciate the time you've given me. But breaks like this don't just happen. You have to make your own breaks.
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