Multiple Characters quotes
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Young Mary Hatch: Is this the ear you can't hear on? [whispering into George's deaf ear] George Bailey - I'll love you till the day I die.
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Peter Bailey (Pop): [about Potter] Oh, he's a sick man. Frustrated and sick. Sick in his mind, sick in his soul, if he has one. Hates everybody that has anything that he can't have. Hates us mostly, I guess.
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Mickey: [Walks up to a disheartened Freddie Othello, dumped by Mary Hatch] What's the matter, Othello - jealous? Did you know there's a swimming pool under this floor? And did you know that button behind you causes this floor to open up? And did you further know that George Bailey is dancing right over that crack? [Othello turns to Mickey] And I've got the key!
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Violet Bick: I'm glad I know you, George Bailey.
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Tommy Bailey: Can you sing, Daddy?
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Mr. Potter: [while on the Draft Board] 1A... 1A... 1A...
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Uncle Billy: Mary did it, George! Mary did it! She told a few people you were in trouble and they scattered all over town collecting money. They didn't ask any questions — just said: "If George is in trouble — count on me." You never saw anything like it.
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Harry Bailey: A toast to my big brother George: The richest man in town!
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Uncle Billy : Nobody ever changes here, you know that.
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Clarence: What did you stop it for?
Joseph: I want you to take a good look at that face.
Clarence: Who is it?
Joseph: George Bailey.
Joseph: I want you to take a good look at that face.
Clarence: Who is it?
Joseph: George Bailey.
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Young Violet: [commenting on George] I like him.
Young Mary: You like every boy.
Young Violet: What's wrong with that?
Young Mary: You like every boy.
Young Violet: What's wrong with that?
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Young George: Make up your mind yet?
Young Mary: I'll take chocolate.
Young George: With coconuts?
Young Mary: I don't like coconuts.
Young George: Don't like coconuts? Say brainless, don't you know where coconuts come from? [pulls out a National Geographic magazine] Look-it here, from Tahiti, the Fiji Islands, Coral Sea.
Young Mary: A new magazine! I never saw it.
Young George: 'Course you never. This is just for explorers. It just so happens I've been nominated for membership in the National Geographic Society. I'm going out exploring some day, just you watch. And I might even have a harem, and maybe even one or two wives.
Young Mary: I'll take chocolate.
Young George: With coconuts?
Young Mary: I don't like coconuts.
Young George: Don't like coconuts? Say brainless, don't you know where coconuts come from? [pulls out a National Geographic magazine] Look-it here, from Tahiti, the Fiji Islands, Coral Sea.
Young Mary: A new magazine! I never saw it.
Young George: 'Course you never. This is just for explorers. It just so happens I've been nominated for membership in the National Geographic Society. I'm going out exploring some day, just you watch. And I might even have a harem, and maybe even one or two wives.
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Pop: Mr. Potter, what makes you such a hard-skulled character? You have no family –– no children. You can't begin to spend all the money you've got.
Potter: So I suppose I should give it to miserable failures like you and that idiot brother of yours to spend for me.
Young George: He's not a failure! You can't say that about my father!
Potter: So I suppose I should give it to miserable failures like you and that idiot brother of yours to spend for me.
Young George: He's not a failure! You can't say that about my father!
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Violet: Good afternoon, Mr. Bailey.
George: Hello, Violet. Hey, you look good. That's some dress you got on there.
Violet: Oh this old thing? Why, I only wear it when I don't care how I look.
George: Hello, Violet. Hey, you look good. That's some dress you got on there.
Violet: Oh this old thing? Why, I only wear it when I don't care how I look.
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Pop: I know it's soon to talk about it.
George: Oh, now Pop, I couldn't. I couldn't face being cooped up for the rest of my life in a shabby little office...Oh, I'm sorry Pop, I didn't mean that, but this business of nickels and dimes and spending all your life trying to figure out how to save three cents on a length of pipe...I'd go crazy. I want to do something big and something important.
Pop: You know, George, I feel that in a small way we are doing something important. Satisfying a fundamental urge. It's deep in the race for a man to want his own roof and walls and fireplace, and we're helping him get those things in our shabby little office.
George: I know, Dad. I wish I felt...But I've been hoarding pennies like a miser in order to...Most of my friends have already finished college. I just feel like if I don't get away, I'd bust.
Pop: Yes...yes...You're right son.
George: You see what I mean, don't you, Pop?
Pop: This town is no place for any man unless he's willing to crawl to Potter. You've got talent, son. I've seen it. You get yourself an education. Then get out of here.
George: Pop, you want a shock? I think you're a great guy. [to Annie, listening through the door] Oh, did you hear that, Annie?
Annie: I heard it. About time one of you lunkheads said it.
George: Oh, now Pop, I couldn't. I couldn't face being cooped up for the rest of my life in a shabby little office...Oh, I'm sorry Pop, I didn't mean that, but this business of nickels and dimes and spending all your life trying to figure out how to save three cents on a length of pipe...I'd go crazy. I want to do something big and something important.
Pop: You know, George, I feel that in a small way we are doing something important. Satisfying a fundamental urge. It's deep in the race for a man to want his own roof and walls and fireplace, and we're helping him get those things in our shabby little office.
George: I know, Dad. I wish I felt...But I've been hoarding pennies like a miser in order to...Most of my friends have already finished college. I just feel like if I don't get away, I'd bust.
Pop: Yes...yes...You're right son.
George: You see what I mean, don't you, Pop?
Pop: This town is no place for any man unless he's willing to crawl to Potter. You've got talent, son. I've seen it. You get yourself an education. Then get out of here.
George: Pop, you want a shock? I think you're a great guy. [to Annie, listening through the door] Oh, did you hear that, Annie?
Annie: I heard it. About time one of you lunkheads said it.
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George: [gazing eyes with Mary] Well, well, well.
Freddie Othello: Now, to get back to my story, see?
[in a trance, Mary hands Othello her drink, and George and Mary start dancing]
Freddie Othello: Hey, this is MY dance!
George: Oh, why don't you stop annoying poeple.
Freddie Othello: Well, I'm sorry - Hey!
Freddie Othello: Now, to get back to my story, see?
[in a trance, Mary hands Othello her drink, and George and Mary start dancing]
Freddie Othello: Hey, this is MY dance!
George: Oh, why don't you stop annoying poeple.
Freddie Othello: Well, I'm sorry - Hey!
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George: Well, hello.
Mary: Hello. You look at me as if you didn't know me.
George: Well, I don't.
Mary: You've passed me on the street almost every day.
George: Me?
Mary: Uh-huh.
George: Uh-uh. That was a little girl named Mary Hatch. That wasn't you.
Mary: Hello. You look at me as if you didn't know me.
George: Well, I don't.
Mary: You've passed me on the street almost every day.
George: Me?
Mary: Uh-huh.
George: Uh-uh. That was a little girl named Mary Hatch. That wasn't you.
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George: You know, if it wasn't me talking, I'd say you were the prettiest girl in town.
Mary: Well, why don't you say it?
George: I don't know. Maybe I will say it. How old are you anyway?
Mary: Eighteen.
George: Eighteen! Why, it was only last year you were seventeen.
Mary: Too young or too old?
George: Oh, no. Just right. Your age fits you. Yes, sir, you look a little older without your clothes on...I mean, without a dress. You look older...I mean, younger. You look just...
[George steps on the end of the belt on Mary's bathrobe]
George: Oh-oh...
Mary: Sir, my train, please.
George: A pox upon me for a clumsy lout. [throws the belt across her arm] Your...your caboose, my lady.
Mary: You may kiss my hand.
George: Ummmm [holding her hand, George moves in closer] Hey — hey, Mary.
Mary: Well, why don't you say it?
George: I don't know. Maybe I will say it. How old are you anyway?
Mary: Eighteen.
George: Eighteen! Why, it was only last year you were seventeen.
Mary: Too young or too old?
George: Oh, no. Just right. Your age fits you. Yes, sir, you look a little older without your clothes on...I mean, without a dress. You look older...I mean, younger. You look just...
[George steps on the end of the belt on Mary's bathrobe]
George: Oh-oh...
Mary: Sir, my train, please.
George: A pox upon me for a clumsy lout. [throws the belt across her arm] Your...your caboose, my lady.
Mary: You may kiss my hand.
George: Ummmm [holding her hand, George moves in closer] Hey — hey, Mary.
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Mary: What'd you wish, George?
George: Well, not just one wish. A whole hatful, Mary. I know what I'm gonna do tomorrow, and the next day, and the next year, and the year after that. I'm shakin' the dust of this crummy little town off my feet and I'm gonna see the world. Italy, Greece, the Parthenon, the Colosseum. Then, I'm comin' back here and go to college and see what they know... And then I'm gonna build things. I'm gonna build airfields, I'm gonna build skyscrapers a hundred stories high, I'm gonna build bridges a mile long...
George: Well, not just one wish. A whole hatful, Mary. I know what I'm gonna do tomorrow, and the next day, and the next year, and the year after that. I'm shakin' the dust of this crummy little town off my feet and I'm gonna see the world. Italy, Greece, the Parthenon, the Colosseum. Then, I'm comin' back here and go to college and see what they know... And then I'm gonna build things. I'm gonna build airfields, I'm gonna build skyscrapers a hundred stories high, I'm gonna build bridges a mile long...
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George: What is it you want, Mary? What do you want? You want the moon? Just say the word and I'll throw a lasso around it and pull it down. Hey. That's a pretty good idea. I'll give you the moon, Mary.
Mary: I'll take it. Then what?
George: Well, then you could swallow it, and it'd all dissolve, see? And the moonbeams'd shoot out of your fingers and your toes, and the ends of your hair... Am I talking too much?
Old Man: Yes! Why don't you kiss her instead of talking her to death?
George: How's that?
Old Man: Why don't you kiss her instead of talking her to death?
George: Want me to kiss her, huh?
Old Man: Ah, youth is wasted on the wrong people!
Mary: I'll take it. Then what?
George: Well, then you could swallow it, and it'd all dissolve, see? And the moonbeams'd shoot out of your fingers and your toes, and the ends of your hair... Am I talking too much?
Old Man: Yes! Why don't you kiss her instead of talking her to death?
George: How's that?
Old Man: Why don't you kiss her instead of talking her to death?
George: Want me to kiss her, huh?
Old Man: Ah, youth is wasted on the wrong people!
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George: Mary... [picks up Mary's robe, which is lying on the ground] Okay, I give up. Where are you?
Mary: Over here in the hydrangea bushes.
George: Here you are. Catch. [He is about to throw her the robe, but reconsiders] Wait a minute. What am I doing? This is a very interesting situation.
Mary: Please give me my robe.
George: Hmmm...A man doesn't get in a situation like this every day.
Mary: I'd like to have my robe.
George: Not in Bedford Falls, anyway.
Mary: [thrashing around in the bushes] Ouch!
George: Gesundheit. This requires a little thought here.
Mary: George Bailey! Give me my robe!
George: I've heard about things like this, but I've never...
Mary: Shame on you. I'm going to tell your mother on you.
George: Oh, my mother's way up the corner there.
Mary: I'll call the police!
George: They're way downtown. They'd be on my side, too.
Mary: Then I'm going to scream!
George: Maybe I could sell tickets. No, no... Let's see. No, the point is, in order to get this robe...I've got it! I'll make a deal with you, Mary.
Mary: Over here in the hydrangea bushes.
George: Here you are. Catch. [He is about to throw her the robe, but reconsiders] Wait a minute. What am I doing? This is a very interesting situation.
Mary: Please give me my robe.
George: Hmmm...A man doesn't get in a situation like this every day.
Mary: I'd like to have my robe.
George: Not in Bedford Falls, anyway.
Mary: [thrashing around in the bushes] Ouch!
George: Gesundheit. This requires a little thought here.
Mary: George Bailey! Give me my robe!
George: I've heard about things like this, but I've never...
Mary: Shame on you. I'm going to tell your mother on you.
George: Oh, my mother's way up the corner there.
Mary: I'll call the police!
George: They're way downtown. They'd be on my side, too.
Mary: Then I'm going to scream!
George: Maybe I could sell tickets. No, no... Let's see. No, the point is, in order to get this robe...I've got it! I'll make a deal with you, Mary.
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Dr. Campbell: I'm sure the whole board wishes to express its deep sorrow at the passing of Peter Bailey.
George: Thank you very much.
Dr. Campbell: It was his faith and devotion that are responsible for this organization.
Potter: I'll go further than that. I'll say that to the public Peter Bailey was the Building and Loan.
Billy: Oh, that's fine, Potter, coming from you, considering that you probably drove him to his grave.
Potter: Peter Bailey was not a business man. That's what killed him. Oh, I don't mean any disrespect to him, God rest his soul. He was a man of high ideals, so called, but ideals without common sense can ruin this town. Now, you take this loan here to Ernie Bishop...You know, that fellow that sits around all day on his brains in his taxi. You know...I happen to know the bank turned down this loan, but he comes here and we're building him a house worth five thousand dollars. Why?
George: Well, I handled that, Mr. Potter. You have all the papers there. His salary, insurance. I can personally vouch for his character.
Potter: A friend of yours?
George: Yes, sir.
Potter: You see, if you shoot pool with some employee here, you can come and borrow money. What does that get us? A discontented, lazy rabble instead of a thrifty, working class. And all because a few starry-eyed dreamers like Peter Bailey stir them up and fill their heads with a lot of impossible ideas. Now, I say...
George: Just a minute — just a minute. Now, hold on, Mr. Potter. You're right when you say my father was no business man. I know that. Why he ever started this cheap, penny-ante Building and Loan, I'll never know. But neither you nor anybody else can say anything against his character, because his whole life was...Why, in the twenty-five years since he and Uncle Billy started this thing, he never once thought of himself. Isn't that right, Uncle Billy? He didn't save enough money to send Harry to school, let alone me. But he did help a few people get out of your slums, Mr. Potter. And what's wrong with that? Why...Here, you're all businessmen here. Doesn't it make them better citizens? Doesn't it make them better customers? You...you said...What'd you say just a minute ago?...They had to wait and save their money before they even ought to think of a decent home. Wait! Wait for what? Until their children grow up and leave them? Until they're so old and broken-down that they...Do you know how long it takes a working man to save five thousand dollars? Just remember this, Mr. Potter, that this rabble you're talking about...they do most of the working and paying and living and dying in this community. Well, is it too much to have them work and pay and live and die in a couple of decent rooms and a bath? Anyway, my father didn't think so. People were human beings to him, but to you, a warped frustrated old man, they're cattle. Well, in my book he died a much richer man than you'll ever be!
Potter: I'm not interested in your book. I'm talking about the Building and Loan.
George: I know very well what you're talking about. You're talking about something you can't get your fingers on, and it's galling you. That's what you're talking about, I know...Well, I've said too much. I...You're the Board here. You do what you want with this thing. Just one more thing, though. This town needs this measly one-horse institution if only to have some place where people can come without crawling to Potter.
George: Thank you very much.
Dr. Campbell: It was his faith and devotion that are responsible for this organization.
Potter: I'll go further than that. I'll say that to the public Peter Bailey was the Building and Loan.
Billy: Oh, that's fine, Potter, coming from you, considering that you probably drove him to his grave.
Potter: Peter Bailey was not a business man. That's what killed him. Oh, I don't mean any disrespect to him, God rest his soul. He was a man of high ideals, so called, but ideals without common sense can ruin this town. Now, you take this loan here to Ernie Bishop...You know, that fellow that sits around all day on his brains in his taxi. You know...I happen to know the bank turned down this loan, but he comes here and we're building him a house worth five thousand dollars. Why?
George: Well, I handled that, Mr. Potter. You have all the papers there. His salary, insurance. I can personally vouch for his character.
Potter: A friend of yours?
George: Yes, sir.
Potter: You see, if you shoot pool with some employee here, you can come and borrow money. What does that get us? A discontented, lazy rabble instead of a thrifty, working class. And all because a few starry-eyed dreamers like Peter Bailey stir them up and fill their heads with a lot of impossible ideas. Now, I say...
George: Just a minute — just a minute. Now, hold on, Mr. Potter. You're right when you say my father was no business man. I know that. Why he ever started this cheap, penny-ante Building and Loan, I'll never know. But neither you nor anybody else can say anything against his character, because his whole life was...Why, in the twenty-five years since he and Uncle Billy started this thing, he never once thought of himself. Isn't that right, Uncle Billy? He didn't save enough money to send Harry to school, let alone me. But he did help a few people get out of your slums, Mr. Potter. And what's wrong with that? Why...Here, you're all businessmen here. Doesn't it make them better citizens? Doesn't it make them better customers? You...you said...What'd you say just a minute ago?...They had to wait and save their money before they even ought to think of a decent home. Wait! Wait for what? Until their children grow up and leave them? Until they're so old and broken-down that they...Do you know how long it takes a working man to save five thousand dollars? Just remember this, Mr. Potter, that this rabble you're talking about...they do most of the working and paying and living and dying in this community. Well, is it too much to have them work and pay and live and die in a couple of decent rooms and a bath? Anyway, my father didn't think so. People were human beings to him, but to you, a warped frustrated old man, they're cattle. Well, in my book he died a much richer man than you'll ever be!
Potter: I'm not interested in your book. I'm talking about the Building and Loan.
George: I know very well what you're talking about. You're talking about something you can't get your fingers on, and it's galling you. That's what you're talking about, I know...Well, I've said too much. I...You're the Board here. You do what you want with this thing. Just one more thing, though. This town needs this measly one-horse institution if only to have some place where people can come without crawling to Potter.
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George: You know what the three most exciting sounds in the world are?
Billy: Uh-huh. Breakfast is served; lunch is served, dinner...
George: No, no, no, no! Anchor chains, plane motors, and train whistles.
Billy: Uh-huh. Breakfast is served; lunch is served, dinner...
George: No, no, no, no! Anchor chains, plane motors, and train whistles.
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Billy: [drunk] Oh, boy, oh boy, oh boy. I feel so good I could spit in Potter's eye. I think I will. What did you say, huh? Oh, maybe I'd better go home.Where's my hat? Where's my... [George takes the hat from Uncle Billy's head and hands it to him] Oh, thank you, George. Which one is mine?
George: The middle one.
Billy: Oh, thank you, George, old boy, old boy. Now, look –– if you'll point me in the right direction... would you do that? George?
George: Right down here.
Billy: Old Building and Loan pal, huh...
George: Now you just turn this way and go right straight down.
Billy: That way, huh? [begins singing, then a crash is heard] I'm all right. I'm all right. [singing] "...the sweetest flower that grows . . . "
George: The middle one.
Billy: Oh, thank you, George, old boy, old boy. Now, look –– if you'll point me in the right direction... would you do that? George?
George: Right down here.
Billy: Old Building and Loan pal, huh...
George: Now you just turn this way and go right straight down.
Billy: That way, huh? [begins singing, then a crash is heard] I'm all right. I'm all right. [singing] "...the sweetest flower that grows . . . "
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Ma Bailey: Did you know that Mary Hatch is back from school?
George: Uh-huh.
Ma Bailey': Came back three days ago.
George: Hmmmm...
Ma Bailey: Nice girl, Mary.
George: Mmm Hmmmm....
Ma Bailey: Kind that will help you find the answers, George.
George: Hmmm...
Ma Bailey: Oh, stop that grunting.
George: Hmmm...
Ma Bailey: Can you give me one good reason why you shouldn't call on Mary?
George: Sure –– Sam Wainwright.
Ma Bailey: Hmmm?
George: Yes. Sam's crazy about Mary.
Ma Bailey: Well, she's not crazy about him.
George: Well, how do you know? Did she discuss it with you?
Ma Bailey: No.
George: Well then, how do you know?
Ma Bailey: Well, I've got eyes, haven't I? Why, she lights up like a firefly whenever you're around.
George: Oh...
Ma Bailey: And besides, Sam Wainwright's away in New York, and you're here in Bedford Falls.
George: And all's fair in love and war?
Ma Bailey: I don't know about war.
George: Mother, you know, I can see right through you –– right back to your back collar button... trying to get rid of me, huh?
Ma Bailey: Uh-huh.
George: Uh-huh.
Ma Bailey': Came back three days ago.
George: Hmmmm...
Ma Bailey: Nice girl, Mary.
George: Mmm Hmmmm....
Ma Bailey: Kind that will help you find the answers, George.
George: Hmmm...
Ma Bailey: Oh, stop that grunting.
George: Hmmm...
Ma Bailey: Can you give me one good reason why you shouldn't call on Mary?
George: Sure –– Sam Wainwright.
Ma Bailey: Hmmm?
George: Yes. Sam's crazy about Mary.
Ma Bailey: Well, she's not crazy about him.
George: Well, how do you know? Did she discuss it with you?
Ma Bailey: No.
George: Well then, how do you know?
Ma Bailey: Well, I've got eyes, haven't I? Why, she lights up like a firefly whenever you're around.
George: Oh...
Ma Bailey: And besides, Sam Wainwright's away in New York, and you're here in Bedford Falls.
George: And all's fair in love and war?
Ma Bailey: I don't know about war.
George: Mother, you know, I can see right through you –– right back to your back collar button... trying to get rid of me, huh?
Ma Bailey: Uh-huh.
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Mary: Have you made up your mind?
George: How's that?
Mary: Have you made up your mind?
George: About what?
Mary: About coming in. Your mother just phoned and said you were on your way over to pay me a visit.
George: My mother just called you? Well, how did she know?
Mary: Didn't you tell her?
George: I didn't tell anybody. I just went for a walk and happened to be passing by... What do you... went for a walk, that's all.
George: How's that?
Mary: Have you made up your mind?
George: About what?
Mary: About coming in. Your mother just phoned and said you were on your way over to pay me a visit.
George: My mother just called you? Well, how did she know?
Mary: Didn't you tell her?
George: I didn't tell anybody. I just went for a walk and happened to be passing by... What do you... went for a walk, that's all.
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Mary: It was nice about your brother Harry, and Ruth, wasn't it?
George: Oh... yeah, yeah. That's all right.
Mary: Don't you like her?
George: Well, of course I like her. She's a peach.
Mary: Oh, it's just marriage in general you're not enthusiastic about, huh?
George: No, marriage is all right for Harry, and Marty, and Sam and you.
George: Oh... yeah, yeah. That's all right.
Mary: Don't you like her?
George: Well, of course I like her. She's a peach.
Mary: Oh, it's just marriage in general you're not enthusiastic about, huh?
George: No, marriage is all right for Harry, and Marty, and Sam and you.
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Potter: [on the phone] George, there is a rumor around town that you've closed your doors. Is that true? Oh, well, I'm very glad to hear that... George, are you all right? Doyou need any police?
George: Police? What for?
Potter: Well, mobs get pretty ugly sometimes, you know. George, I'm going all out to help in this crisis. I've just guaranteed the bank sufficient funds to meet their needs. They'll close up for a week, and then reopen.
George: [to Uncle Billy] He just took over the bank.
Potter: I may lose a fortune, but I'm willing to guarantee your people too. Just tell them to bring their shares over here and I will pay them fifty cents on thedollar.
George: Aw, you never miss a trick, do you, Potter? Well, you're going to miss this one.
George: Police? What for?
Potter: Well, mobs get pretty ugly sometimes, you know. George, I'm going all out to help in this crisis. I've just guaranteed the bank sufficient funds to meet their needs. They'll close up for a week, and then reopen.
George: [to Uncle Billy] He just took over the bank.
Potter: I may lose a fortune, but I'm willing to guarantee your people too. Just tell them to bring their shares over here and I will pay them fifty cents on thedollar.
George: Aw, you never miss a trick, do you, Potter? Well, you're going to miss this one.
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Reineman: Look, Mr. Potter, it's no skin off my nose. I'm just your little rent collector. But you can't laugh off this Bailey Park any more. Look at it...Fifteen years ago, a half-dozen houses stuck here and there. There's the old cemetery, squirrels, buttercups, daisies. Used to hunt rabbits there myself. Look at it today. Dozens of the prettiest little homes you ever saw. Ninety percent owned by suckers who used to pay rent to you. Your Potter's Field, my dear Mr. Employer, is becoming just that. And are the local yokels making with those David and Goliath wisecracks!
Potter: Oh, they are, are they? Even though they know the Baileys haven't made a dime out of it.
Reineman: You know very well why. The Baileys were all chumps. Every one of these homes is worth twice what it cost the Building and Loan to build. If I were you, Mr. Potter...
Potter: Well, you are not me.
Reineman: As I say, it's no skin off my nose. But one of these days this bright young man is going to be asking George Bailey for a job.
Potter: The Bailey family has been a boil on my neck long enough.
Potter: Oh, they are, are they? Even though they know the Baileys haven't made a dime out of it.
Reineman: You know very well why. The Baileys were all chumps. Every one of these homes is worth twice what it cost the Building and Loan to build. If I were you, Mr. Potter...
Potter: Well, you are not me.
Reineman: As I say, it's no skin off my nose. But one of these days this bright young man is going to be asking George Bailey for a job.
Potter: The Bailey family has been a boil on my neck long enough.
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George: Thank you, sir. Quite a cigar, Mr. Potter.
Potter: You like it? I'll send you a box.
George: Well, I... I suppose I'll find out sooner or later, but just what exactly did you want to see me about?
Potter: [laughs] George, now that's just what I like so much about you. George, I'm an old man, and most people hate me. But I don't like them either, so that makes it all even. You know just as well as I do that I run practically everything in this town but the Bailey Building and Loan. You know, also, that for a number of years I've been trying to get control of it... or kill it. But I haven't been able to do it. You have been stopping me. In fact, you have beaten me, George, and as anyone in this county can tell you, that takes some doing. Take during the depression, for instance. You and I were the only ones that kept our heads. You saved the Building and Loan, and I saved all the rest.
George: Yes. Well, most people say you stole all the rest.
Potter: The envious ones say that, George, the suckers. Now, I have stated my side very frankly. Now, let's look at your side. Young man, twenty-seven,twenty-eight... married, making, say... forty a week.
George: Forty-five!
Potter: Forty-five. Forty-five. Out of which, after supporting your mother, and paying your bills, you're able to keep, say, ten, if you skimp. A child or two comes along, and you won't even be able to save the ten. Now, if this young man of twenty-eight was a common, ordinary yokel, I'd say he was doing fine. But George Bailey is not a common, ordinary yokel. He's an intelligent, smart, ambitious young man — who hates his job –– who hates the Building and Loan almost as much as I do. A young man who's been dying to get out on his own ever since he was born. A young man... the smartest one of the crowd, mind you, a young man who has to sit by and watch his friends go places, because he's trapped. Yes, sir, trapped into frittering his life away playing nursemaid to a lot of garlic-eaters. Do I paint a correct picture, or do I exaggerate?
George: Now what's your point, Mr. Potter?
Potter: My point? My point is, I want to hire you.
George: Hire me?
Potter: I want you to manage my affairs, run my properties. George, I'll start you out at twenty thousand dollars a year.
George: Twenty thou... twenty thousand dollars a year?
Potter: You wouldn't mind living in the nicest house in town, buying your wife a lot of fine clothes, a couple of business trips to New York a year, maybe once in a while Europe. You wouldn't mind that, would you, George?
George: Would I? You're not talking to somebody else around here, are you? You know, this is me, you remember me? George Bailey.
Potter: Oh, yes, George Bailey. Whose ship has just come in –– providing he has brains enough to climb aboard.
George: Well, what about the Building and Loan?
Potter: Oh, confound it, man, are you afraid of success? I'm offering you a three year contract at twenty thousand dollars a year, starting today. Is it a deal or isn't it?
George: Well, Mr. Potter, I... I... I know I ought to jump at the chance, but I... I just... I wonder if it would be possible for you to give me twenty-four hours to think it over?
Potter: Sure, sure, sure. You go on home and talk about it to your wife.
George: I'd like to do that.
Potter: In the meantime, I'll draw up the papers.
George: All right, sir.
Potter: Okay, George?
George: [shaking Potter's hand] Okay, Mr. Potter. [drops Potter's hand] No... no... no... no, now wait a minute, here! I don't have to talk to anybody! I know right now, and the answer is no!NO! Doggone it!You sit around here and you spin your little webs and you think the whole world revolves around you and your money. Well, it doesn't, Mr. Potter! In the... in thewhole vast configuration of things, I'd say you were nothing but a scurvy little spider. You... [to Potter's assistant] And that goes for you too! [to Potter's secretary] And it goes for you too!
Potter: You like it? I'll send you a box.
George: Well, I... I suppose I'll find out sooner or later, but just what exactly did you want to see me about?
Potter: [laughs] George, now that's just what I like so much about you. George, I'm an old man, and most people hate me. But I don't like them either, so that makes it all even. You know just as well as I do that I run practically everything in this town but the Bailey Building and Loan. You know, also, that for a number of years I've been trying to get control of it... or kill it. But I haven't been able to do it. You have been stopping me. In fact, you have beaten me, George, and as anyone in this county can tell you, that takes some doing. Take during the depression, for instance. You and I were the only ones that kept our heads. You saved the Building and Loan, and I saved all the rest.
George: Yes. Well, most people say you stole all the rest.
Potter: The envious ones say that, George, the suckers. Now, I have stated my side very frankly. Now, let's look at your side. Young man, twenty-seven,twenty-eight... married, making, say... forty a week.
George: Forty-five!
Potter: Forty-five. Forty-five. Out of which, after supporting your mother, and paying your bills, you're able to keep, say, ten, if you skimp. A child or two comes along, and you won't even be able to save the ten. Now, if this young man of twenty-eight was a common, ordinary yokel, I'd say he was doing fine. But George Bailey is not a common, ordinary yokel. He's an intelligent, smart, ambitious young man — who hates his job –– who hates the Building and Loan almost as much as I do. A young man who's been dying to get out on his own ever since he was born. A young man... the smartest one of the crowd, mind you, a young man who has to sit by and watch his friends go places, because he's trapped. Yes, sir, trapped into frittering his life away playing nursemaid to a lot of garlic-eaters. Do I paint a correct picture, or do I exaggerate?
George: Now what's your point, Mr. Potter?
Potter: My point? My point is, I want to hire you.
George: Hire me?
Potter: I want you to manage my affairs, run my properties. George, I'll start you out at twenty thousand dollars a year.
George: Twenty thou... twenty thousand dollars a year?
Potter: You wouldn't mind living in the nicest house in town, buying your wife a lot of fine clothes, a couple of business trips to New York a year, maybe once in a while Europe. You wouldn't mind that, would you, George?
George: Would I? You're not talking to somebody else around here, are you? You know, this is me, you remember me? George Bailey.
Potter: Oh, yes, George Bailey. Whose ship has just come in –– providing he has brains enough to climb aboard.
George: Well, what about the Building and Loan?
Potter: Oh, confound it, man, are you afraid of success? I'm offering you a three year contract at twenty thousand dollars a year, starting today. Is it a deal or isn't it?
George: Well, Mr. Potter, I... I... I know I ought to jump at the chance, but I... I just... I wonder if it would be possible for you to give me twenty-four hours to think it over?
Potter: Sure, sure, sure. You go on home and talk about it to your wife.
George: I'd like to do that.
Potter: In the meantime, I'll draw up the papers.
George: All right, sir.
Potter: Okay, George?
George: [shaking Potter's hand] Okay, Mr. Potter. [drops Potter's hand] No... no... no... no, now wait a minute, here! I don't have to talk to anybody! I know right now, and the answer is no!NO! Doggone it!You sit around here and you spin your little webs and you think the whole world revolves around you and your money. Well, it doesn't, Mr. Potter! In the... in thewhole vast configuration of things, I'd say you were nothing but a scurvy little spider. You... [to Potter's assistant] And that goes for you too! [to Potter's secretary] And it goes for you too!
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George: Mary Hatch, why in the world did you ever marry a guy like me?
Mary: To keep from being an old maid.
George: You could have married Sam Wainwright or anybody else in town.
Mary: I didn't want to marry anybody else in town. I want my baby to look like you.
George: You didn't even have a honeymoon. I promised you...Your what?
Mary: My baby.
George: You mean...Mary, you on the nest?
Mary: George Bailey lassoes stork.
Geaorge: Lassoes the stork! You mean you...What is it, a boy or a girl?
Mary: [nodding] Uh-huh.
Mary: To keep from being an old maid.
George: You could have married Sam Wainwright or anybody else in town.
Mary: I didn't want to marry anybody else in town. I want my baby to look like you.
George: You didn't even have a honeymoon. I promised you...Your what?
Mary: My baby.
George: You mean...Mary, you on the nest?
Mary: George Bailey lassoes stork.
Geaorge: Lassoes the stork! You mean you...What is it, a boy or a girl?
Mary: [nodding] Uh-huh.
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Billy: [grabbing Potter's newspaper] Well, good morning, Mr. Potter. What's the news? Well, well, well, Harry Bailey wins Congressional Medal. That couldn't be one of the Bailey boys? You just can't keep those Baileys down, now, can you, Mr. Potter?
Potter: How does slacker George feel about that?
Billy: Very jealous, very jealous. He only lost three buttons off his vest. Of course, slacker George would have gotten two of those medals if he had gone.
Potter: Bad ear.
Billy: Yes. After all, Potter, some people like George had to stay home. Not every heel was in Germany and Japan!
Potter: How does slacker George feel about that?
Billy: Very jealous, very jealous. He only lost three buttons off his vest. Of course, slacker George would have gotten two of those medals if he had gone.
Potter: Bad ear.
Billy: Yes. After all, Potter, some people like George had to stay home. Not every heel was in Germany and Japan!
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George: Gosh, it's this old house. I don't know why we don't all have pneumonia. This drafty old barn! Might as well be living in a refrigerator. Why did we have to live here in the first place and stay around this measly, crummy old town?
Mary: George, what's wrong?
George: Wrong? Everything's wrong! You call this a happy family? Why did we have to have all these kids?
Mary: George, what's wrong?
George: Wrong? Everything's wrong! You call this a happy family? Why did we have to have all these kids?
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George: I'm in trouble, Mr. Potter. I need help. Through some sort of an accident my company's short in their accounts. The bank examiner's up there today. I've got to raise eight thousand dollars immediately.
Potter: Oh, so that's what the reporters wanted to talk to you about?
George: The reporters?
Potter: Yes. They called me up from your Building and Loan. Oh, there's a man over there from the D.A.'s office, too. He's looking for you.
George: Please help me, Mr. Potter. Help me, won't you please? Can't you see what it means to my family? I'll pay you any sort of a bonus on the loan... any interest. If you still want the Building and Loan, why I...
Potter: George, could it possibly be there's a slight discrepancy in the books?
george: No, sir. There's nothing wrong with the books. I've just misplaced eight thousand dollars. I can't find it anywhere.
Potter: You misplaced eight thousand dollars?
George: Yes, sir.
Potter: Have you notified the police?
George: No, sir. I didn't want the publicity. Harry's homecoming tomorrow...
Potter: They're going to believe that one. What've you been doing, George? Playing the market with the company's money?
George: No, sir. No, sir. I haven't.
Potter: What is it –– a woman, then? You know, it's all over town that you've been giving money to Violet Bick.
George: What?
Potter: Not that it makes any difference to me, but why did you come to me? Why don't you go to Sam Wainwright and ask him for the money?
George: I can't get hold of him. He's in Europe.
Potter: Well, what about all your other friends?
George: They don't have that kind of money, Mr. Potter. You know that. You're the only one in town that can help me.
Potter: I see. I've suddenly become quite important. What kind of security would I have, George? Have you got any stocks?
George: No, sir.
Potter: Bonds? Real estate? Collateral of any kind?
George: I have some life insurance, a fifteen thousand dollar policy.
Potter: Yes... how much is your equity in it?
George: Five hundred dollars.
Potter: Look at you. You used to be so ****y! You were going to go out and conquer the world! You once called me a warped, frustrated old man. What are you but a warped, frustrated young man? A miserable little clerk crawling in here on your hands and knees and begging for help. No securities –– no stocks –– no bonds –– nothing but a miserable little five hundred dollar equity in a life insurance policy. [laughs] You're worth more dead than alive. Why don't you go to the riff-raff you love so much and ask them to let you have eight thousand dollars? You know why? Because they'd run you out of town on a rail...But I'll tell you what I'm going to do for you, George. Since the state examiner is still here, as a stockholder of the Building and Loan, I'm going to swear out a warrant for your arrest. Misappropriation of funds –– manipulation –– malfeasance... [George gets up to leave] All right, George, go ahead. You can't hide in a little town like this.
Potter: Oh, so that's what the reporters wanted to talk to you about?
George: The reporters?
Potter: Yes. They called me up from your Building and Loan. Oh, there's a man over there from the D.A.'s office, too. He's looking for you.
George: Please help me, Mr. Potter. Help me, won't you please? Can't you see what it means to my family? I'll pay you any sort of a bonus on the loan... any interest. If you still want the Building and Loan, why I...
Potter: George, could it possibly be there's a slight discrepancy in the books?
george: No, sir. There's nothing wrong with the books. I've just misplaced eight thousand dollars. I can't find it anywhere.
Potter: You misplaced eight thousand dollars?
George: Yes, sir.
Potter: Have you notified the police?
George: No, sir. I didn't want the publicity. Harry's homecoming tomorrow...
Potter: They're going to believe that one. What've you been doing, George? Playing the market with the company's money?
George: No, sir. No, sir. I haven't.
Potter: What is it –– a woman, then? You know, it's all over town that you've been giving money to Violet Bick.
George: What?
Potter: Not that it makes any difference to me, but why did you come to me? Why don't you go to Sam Wainwright and ask him for the money?
George: I can't get hold of him. He's in Europe.
Potter: Well, what about all your other friends?
George: They don't have that kind of money, Mr. Potter. You know that. You're the only one in town that can help me.
Potter: I see. I've suddenly become quite important. What kind of security would I have, George? Have you got any stocks?
George: No, sir.
Potter: Bonds? Real estate? Collateral of any kind?
George: I have some life insurance, a fifteen thousand dollar policy.
Potter: Yes... how much is your equity in it?
George: Five hundred dollars.
Potter: Look at you. You used to be so ****y! You were going to go out and conquer the world! You once called me a warped, frustrated old man. What are you but a warped, frustrated young man? A miserable little clerk crawling in here on your hands and knees and begging for help. No securities –– no stocks –– no bonds –– nothing but a miserable little five hundred dollar equity in a life insurance policy. [laughs] You're worth more dead than alive. Why don't you go to the riff-raff you love so much and ask them to let you have eight thousand dollars? You know why? Because they'd run you out of town on a rail...But I'll tell you what I'm going to do for you, George. Since the state examiner is still here, as a stockholder of the Building and Loan, I'm going to swear out a warrant for your arrest. Misappropriation of funds –– manipulation –– malfeasance... [George gets up to leave] All right, George, go ahead. You can't hide in a little town like this.
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Clarence: I didn't have time to get some stylish underwear. My wife gave me this on my last birthday. I passed away in it. Oh, Tom Sawyer's drying out, too. You should read the new book Mark Twain's writing now.
Tollkeeper: How'd you happen to fall in?
Clarence: I didn't fall in. I jumped in to save George.
George: You what? To save me?
Clarence: Well, I did, didn't I? You didn't go through with it, did you?
George: Go through with what?
Clarence: Suicide.
Tollkeeper: It's against the law to commit suicide around here.
Clarence: Yeah, it's against the law where I come from, too.
Tollkeeper: Where do you come from?
Clarence: Heaven. '[to George] I had to act quickly; that's why I jumped in. I knew if I were drowning you'd try to save me. And you see, you did, and that's how I saved you.
Tollkeeper: How'd you happen to fall in?
Clarence: I didn't fall in. I jumped in to save George.
George: You what? To save me?
Clarence: Well, I did, didn't I? You didn't go through with it, did you?
George: Go through with what?
Clarence: Suicide.
Tollkeeper: It's against the law to commit suicide around here.
Clarence: Yeah, it's against the law where I come from, too.
Tollkeeper: Where do you come from?
Clarence: Heaven. '[to George] I had to act quickly; that's why I jumped in. I knew if I were drowning you'd try to save me. And you see, you did, and that's how I saved you.
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George: Well, you look about like the kind of angel I'd get. Sort of a fallen angel, aren't you? What happened to your wings?
Clarence: I haven't won my wings yet. That's why I'm an angel Second Class.
George: I don't know whether I like very much being seen around with an angel without any wings.
Clarence: Oh, I've got to earn them, and you'll help me, won't you?
George: Sure, sure.
Clarence: I haven't won my wings yet. That's why I'm an angel Second Class.
George: I don't know whether I like very much being seen around with an angel without any wings.
Clarence: Oh, I've got to earn them, and you'll help me, won't you?
George: Sure, sure.
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Clarence: So you still think killing yourself would make everyone feel happier, eh?
George: Oh, I don't know. I guess you're right. I suppose it would have been better if I'd never been born at all.
Clarence: What did you say?
George: I said "I'd wish I'd never been born!"
Clarence: Oh, you mustn't say things like that. You...wait a minute. Wait a minute. That's an idea. [glances up toward Heaven] What do you think? Yeah, that'll do it. All right. [to George] You've got your wish. You've never been born. [snow stops falling and a strong gust of wind blows open the door] You don't have to make all that fuss about it.
George: Oh, I don't know. I guess you're right. I suppose it would have been better if I'd never been born at all.
Clarence: What did you say?
George: I said "I'd wish I'd never been born!"
Clarence: Oh, you mustn't say things like that. You...wait a minute. Wait a minute. That's an idea. [glances up toward Heaven] What do you think? Yeah, that'll do it. All right. [to George] You've got your wish. You've never been born. [snow stops falling and a strong gust of wind blows open the door] You don't have to make all that fuss about it.
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George: What did you say?
Clarence: You've never been born. You don't exist. You haven't a care in the world. No worries –– no obligations –– no eight thousand dollars to get –– no Potter looking for you with the Sheriff.
George: Say something else in that ear.
Clarence: Sure. You can hear out of it.
George: Well, that's the doggonedest thing... I haven't heard anything out of that ear since I was a kid. Must have been that jump in the cold water.
Clarence: Your lip's stopped bleeding, too, George.
George: What do you know about that... What's happened? It's stopped snowing out, hasn't it? What's happened here? Come on, soon as these clothes of ours are dry...
Clarence: Our clothes are dry.
George: What do you know about that? Stove's hotter than I thought. Now, come on, get your clothes on, and we'll stroll up to my car and get... Oh, I'm sorry. I'll stroll. You fly.
Clarence: I can't fly. I haven't got any wings.
George: You haven't got your wings. Yeah, that's right.
Clarence: You've never been born. You don't exist. You haven't a care in the world. No worries –– no obligations –– no eight thousand dollars to get –– no Potter looking for you with the Sheriff.
George: Say something else in that ear.
Clarence: Sure. You can hear out of it.
George: Well, that's the doggonedest thing... I haven't heard anything out of that ear since I was a kid. Must have been that jump in the cold water.
Clarence: Your lip's stopped bleeding, too, George.
George: What do you know about that... What's happened? It's stopped snowing out, hasn't it? What's happened here? Come on, soon as these clothes of ours are dry...
Clarence: Our clothes are dry.
George: What do you know about that? Stove's hotter than I thought. Now, come on, get your clothes on, and we'll stroll up to my car and get... Oh, I'm sorry. I'll stroll. You fly.
Clarence: I can't fly. I haven't got any wings.
George: You haven't got your wings. Yeah, that's right.
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George: Oh, say... Hey... where's my car?
Man: I beg your pardon?
George: My car, my car. I'm the fellow that owns the car that ran into your tree.
Man: What tree?
George: What do you mean, what tree? This tree. Here, I ran into it. Cut a big gash in the side of it here.
Man: [after examining the tree and finding no damage] You must mean two other trees. You had me worried. One of the oldest trees in Pottersville.
George: Pottersville? Why, you mean Bedford Falls.
Man: I mean Pottersville. Don't you think I know where I live? What's the matter with you?
[The man leaves]
George: Oh, I don't know. Either I'm off my nut, or he is... [to Clarence] or you are!
Clarence: [laughs] It isn't me!
George: Well, maybe I left the car up at Martini's. Well, come on, Gabriel.
Clarence: Clarence!
Man: I beg your pardon?
George: My car, my car. I'm the fellow that owns the car that ran into your tree.
Man: What tree?
George: What do you mean, what tree? This tree. Here, I ran into it. Cut a big gash in the side of it here.
Man: [after examining the tree and finding no damage] You must mean two other trees. You had me worried. One of the oldest trees in Pottersville.
George: Pottersville? Why, you mean Bedford Falls.
Man: I mean Pottersville. Don't you think I know where I live? What's the matter with you?
[The man leaves]
George: Oh, I don't know. Either I'm off my nut, or he is... [to Clarence] or you are!
Clarence: [laughs] It isn't me!
George: Well, maybe I left the car up at Martini's. Well, come on, Gabriel.
Clarence: Clarence!
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George: Oh, hello, Nick. Hey, where's Martini?
Nick: You want a martini?
George: No, no, Martini. Your boss. Where is he?
Nick: Look, I'm the boss. You want a drink or don't you?
George: Okay...all right. Double bourbon, quick, huh?
Nick: Okay. [to Clarence] What's yours?
Clarence: I was just thinking...It's been so long since I...
Nick: Look, mister, I'm standing here waiting for you to make up your mind.
Clarence: That's a good man. I was just thinking of a flaming rum punch. No, it's not cold enough for that. Not nearly cold enough...Wait a minute...wait a minute...Mulled wine, heavy on the cinnamon and light on the cloves. Off with you, me lad, and be lively!
Nick: Hey, look mister, we serve hard drinks in here for men who want to get drunk fast. And we don't need any characters around to give the joint atmosphere. Is that clear? Or do I have to slip you my left for a convincer?
Clarence: [to George] What's he talking about?
George: Nick –– Nick, just give him the same as mine. He's okay.
Nick: Okay.
George: What's the matter with him? I never saw Nick act like that before.
Clarence: You'll see a lot of strange things from now on.
Nick: You want a martini?
George: No, no, Martini. Your boss. Where is he?
Nick: Look, I'm the boss. You want a drink or don't you?
George: Okay...all right. Double bourbon, quick, huh?
Nick: Okay. [to Clarence] What's yours?
Clarence: I was just thinking...It's been so long since I...
Nick: Look, mister, I'm standing here waiting for you to make up your mind.
Clarence: That's a good man. I was just thinking of a flaming rum punch. No, it's not cold enough for that. Not nearly cold enough...Wait a minute...wait a minute...Mulled wine, heavy on the cinnamon and light on the cloves. Off with you, me lad, and be lively!
Nick: Hey, look mister, we serve hard drinks in here for men who want to get drunk fast. And we don't need any characters around to give the joint atmosphere. Is that clear? Or do I have to slip you my left for a convincer?
Clarence: [to George] What's he talking about?
George: Nick –– Nick, just give him the same as mine. He's okay.
Nick: Okay.
George: What's the matter with him? I never saw Nick act like that before.
Clarence: You'll see a lot of strange things from now on.
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[The cash register bell rings]
Clarence: Oh...oh. Somebody's just made it.
George: Made what?
Clarence: Every time you hear a bell ring, it means that some angel's just got his wings.
George: Look, I think maybe you better not mention getting your wings around here.
Clarence: Why? Don't they believe in angels?
George: A...Yeah, but...you know...
Clarence: Then why should they be surprised when they see one?
George: [to Nick] He never grew up. He's... How old are you, anyway, Clarence?
Clarence: Two hundred and ninety-three...next May.
Nick: That does it! Out you two pixies go, through the door or out the window!
Clarence: Oh...oh. Somebody's just made it.
George: Made what?
Clarence: Every time you hear a bell ring, it means that some angel's just got his wings.
George: Look, I think maybe you better not mention getting your wings around here.
Clarence: Why? Don't they believe in angels?
George: A...Yeah, but...you know...
Clarence: Then why should they be surprised when they see one?
George: [to Nick] He never grew up. He's... How old are you, anyway, Clarence?
Clarence: Two hundred and ninety-three...next May.
Nick: That does it! Out you two pixies go, through the door or out the window!
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George: Look, who are you?
Clarence: I told you, George. I'm your guardian angel.
George: Yeah, yeah, I know. You told me that. What else are you? What...are you a hypnotist?
Clarence: No, of course not.
George: Well, then, why am I seeing all these strange things?
Clarence: Don't you understand, George? It's because you were not born.
George: Then if I wasn't born, who am I?
Clarence: You're nobody. You have no identity.
George: What do you mean, no identity? My name's George Bailey.
Clarence: There is no George Bailey. You have no papers, no cards, no driver's license, no 4-F card, no insurance policy...They're not there, either.
George: What?
Clarence: Zuzu's petals. You've been given a great gift, George. A chance to see what the world would be like without you.
Clarence: I told you, George. I'm your guardian angel.
George: Yeah, yeah, I know. You told me that. What else are you? What...are you a hypnotist?
Clarence: No, of course not.
George: Well, then, why am I seeing all these strange things?
Clarence: Don't you understand, George? It's because you were not born.
George: Then if I wasn't born, who am I?
Clarence: You're nobody. You have no identity.
George: What do you mean, no identity? My name's George Bailey.
Clarence: There is no George Bailey. You have no papers, no cards, no driver's license, no 4-F card, no insurance policy...They're not there, either.
George: What?
Clarence: Zuzu's petals. You've been given a great gift, George. A chance to see what the world would be like without you.
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George: Look here, Ernie, straighten me out here. I've got some bad liquor or something. Listen to me now. Now, you are Ernie Bishop, and you live in Bailey Park with your wife and kid? That's right, isn't it?
Ernie: You seen my wife?
George: Seen your wife? I've been to your house a hundred times.
Ernie: Look, bud, what's the idea? I live in a shack in Potter's Field and my wife ran away three years ago and took the kid. And I ain't never seen you before in my life.
Ernie: You seen my wife?
George: Seen your wife? I've been to your house a hundred times.
Ernie: Look, bud, what's the idea? I live in a shack in Potter's Field and my wife ran away three years ago and took the kid. And I ain't never seen you before in my life.
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George: Mother...
Ma Bailey: Mother? What do you want?
George: Mother, this is George. I thought sure you'd remember me.
Ma Bailey: George who? If you're looking for a room there's no vacancy.
George: Oh, Mother, Mother, please help me. Something terrible's happened to me. I don't know what it is. Something's happened to everybody. Please let me come in. Keep me here until I get over it.
Ma Bailey: Get over what? I don't take in strangers unless they're sent here by somebody I know.
George: Well, I know everybody you know. Your brother-in-law, Uncle Billy.
Ma Bailey: You know him?
George: Well, sure I do.
Ma Bailey: When'd you see him last?
George: Today, over at the house.
Ma Bailey: That's a lie. He's been in the insane asylum ever since he lost his business. And if you ask me, that's where you belong.
Ma Bailey: Mother? What do you want?
George: Mother, this is George. I thought sure you'd remember me.
Ma Bailey: George who? If you're looking for a room there's no vacancy.
George: Oh, Mother, Mother, please help me. Something terrible's happened to me. I don't know what it is. Something's happened to everybody. Please let me come in. Keep me here until I get over it.
Ma Bailey: Get over what? I don't take in strangers unless they're sent here by somebody I know.
George: Well, I know everybody you know. Your brother-in-law, Uncle Billy.
Ma Bailey: You know him?
George: Well, sure I do.
Ma Bailey: When'd you see him last?
George: Today, over at the house.
Ma Bailey: That's a lie. He's been in the insane asylum ever since he lost his business. And if you ask me, that's where you belong.
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Clarence: Your brother, Harry Bailey, broke through the ice and was drowned at the age of nine.
George: That's a lie! Harry Bailey went to war! He got the Congressional Medal of Honor! He saved the lives of every man on that transport.
Clarence: Every man on that transport died! Harry wasn't there to save them, because you weren't there to save Harry. You see, George, you really had a wonderful life. Don't you see what a mistake it would be to throw it away?
George: That's a lie! Harry Bailey went to war! He got the Congressional Medal of Honor! He saved the lives of every man on that transport.
Clarence: Every man on that transport died! Harry wasn't there to save them, because you weren't there to save Harry. You see, George, you really had a wonderful life. Don't you see what a mistake it would be to throw it away?
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Bert: Hey George! George! You all right? Hey, what's the matter?
George: Now get outta here, Bert, or I'll hit you again! Get outta here!
Bert: What the sam hill you yelling for, George?
George: You...Bert, do you know me?
Bert: Know you? You kidding? I've been looking all over town trying to find you. I saw your car plowed into that tree down there and I thought maybe you--hey, your mouth's bleeding. Are you sure you're all right?
George: What the... [laughing] My mouth's bleeding, Bert! My mouth's bleeding! Zuzu's petals...Zuzu's petals! There they are! Bert, what do you know about that! Merry Christmas!!
George: Now get outta here, Bert, or I'll hit you again! Get outta here!
Bert: What the sam hill you yelling for, George?
George: You...Bert, do you know me?
Bert: Know you? You kidding? I've been looking all over town trying to find you. I saw your car plowed into that tree down there and I thought maybe you--hey, your mouth's bleeding. Are you sure you're all right?
George: What the... [laughing] My mouth's bleeding, Bert! My mouth's bleeding! Zuzu's petals...Zuzu's petals! There they are! Bert, what do you know about that! Merry Christmas!!
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George: Hello, Bedford Falls! Merry Christmas! Merry Christmas, movie house! Merry Christmas, Emporium! Merry Christmas, you wonderful old Building and Loan! Hey! Merry Christmas, Mr. Potter!
Potter: Happy New Year to you — in jail. Go on home — they're waiting for you!
Potter: Happy New Year to you — in jail. Go on home — they're waiting for you!
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George: Mary! Well, hello, Mr. Bank Examiner!
Carter: Mr. Bailey, there's a deficit!
George: I know. Eight thousand dollars.
Sheriff: George, I've got a little paper here.
George: I'll bet it's a warrant for my arrest. Isn't it wonderful? I'm going to jail! Merry Christmas! Where's Mary? Mary! Oh, look at this wonderful old drafty house. Mary! Mary! Have you...have you seen my wife?
Kids: Merry Christmas, Daddy!
George: Kids! Pete, Janie, Tommy! Let me look at you. [hugging them] Oh, I could eat you up. Where is your mother?
Pete: She went looking for you with Uncle Billy.
Zuzu: Daddy!
George: Zuzu! Zuzu, my little gingersnap! How do you feel?
Zuzu: Fine!
Janie: And not a smitch of temperature.
George: Not a smitch of tempe...[begins laughing] Hallelujah!
Carter: Mr. Bailey, there's a deficit!
George: I know. Eight thousand dollars.
Sheriff: George, I've got a little paper here.
George: I'll bet it's a warrant for my arrest. Isn't it wonderful? I'm going to jail! Merry Christmas! Where's Mary? Mary! Oh, look at this wonderful old drafty house. Mary! Mary! Have you...have you seen my wife?
Kids: Merry Christmas, Daddy!
George: Kids! Pete, Janie, Tommy! Let me look at you. [hugging them] Oh, I could eat you up. Where is your mother?
Pete: She went looking for you with Uncle Billy.
Zuzu: Daddy!
George: Zuzu! Zuzu, my little gingersnap! How do you feel?
Zuzu: Fine!
Janie: And not a smitch of temperature.
George: Not a smitch of tempe...[begins laughing] Hallelujah!
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Zuzu Bailey: Look, daddy. Teacher says, every time a bell rings an angel gets his wings.
George: That's right, that's right. Attaboy, Clarence.
George: That's right, that's right. Attaboy, Clarence.